Archives for posts with tag: Michael Munday

Monday evenings are jazz nights at the Snowdrop.

It’s a bit of a secret gem despite my best poster efforts. Terry Seabrook, the excellent jazz pianist, hosts it, with guest musicians each week. They’re top jazzers: tonight it’s Mark Bassey, trombone maestro, with Tristan Banks on drums. Terry’s on organ, his left hand a walking bassline. They swing hard from the start, punching out the tune of Cherokee, then chasing each other’s solos over the form. It’s riveting: a powerhouse trio, three top musicians, playing the Great American Songbook.

A young boy and his grandmother, absorbed, are at the next table, and a young woman on her partner’s lap cradles her pregnant belly. Mr Thompson joins us, quietly: John’s recording the gig on his Tascam and filming with his other hand. The one not holding his Harvey’s. Paul, Lewes’s famous IDM, comes in, attracted by the live sound; he dumps his gear and swings into his moves. And he’s a good dancer: it’s great to see jazz being danced to. He comes into his own on the band’s funky The Chicken, and the young couple smooch to Goodbye Pork Pie Hat.

The Snowdrop would be my local, if it wasn’t at the opposite end of town. But I don’t mind walking so far to see music of this quality. You jazzin’?

The sky is very blue, and the sea a lovely milky turquoise, glittering in the late May sun. I’m waiting for the Madeira Tower lift, topped with a peeled globe, dolphins and a scaly roof, and it’s taking me down into Concorde2, Brighton’s music venue on Madeira Drive.

I’ve been back in the UK for 24 hours, and I’m feeling fine after the flight from Tokyo. Nervous, though: tonight is Ska Toons’ Ska-Kestra gig. It’s our annual big-band gig, featuring at least twenty musicians, in the Brighton Festival. We soundcheck, and it sounds terrific out front. Then we adjourn for coffee and cake to the café on the beach.

There’s a big crowd queueing at the door, and an excited buzz backstage. Helen’s nervous as well, so we wind each other up, enjoying getting rather hysterical. DJ Amma has got the crowd sweating, and they roar as The Ska-Kestra troops on stage. The band kicks into our opener – ‘Garden of Love’ – with the fifteen horns punching out the tune.  And the crowd are dancing, and they don’t stop.

Finally, Helen and I are cheek-to-cheek, sharing one microphone, singing the rousing closer, All Of My Life, and dancing. Heaven.

The next day, of course, I feel groggy. And the next. And…